Most common home-movie format from the late 1960s through the 1980s. Plastic cartridges or metal reels. Sound variants have a magnetic stripe along one edge; we capture audio in sync with the picture.
Three media families.
Skim the overview, click into the section that matches your collection. Mixed collections use all three and ship together.
Motion picture film
- Super 8 (silent & sound)
- 8mm (Standard 8 / Regular 8)
- 16mm (silent & sound)
- 35mm safety film
- Damaged, shrunken, or brittle film welcome
Video tape formats
- VHS, VHS-C, S-VHS
- MiniDV, Hi8, Video8, Digital8
- Betamax, U-matic
- PAL / SECAM (international)
- Sticky shed assessment available
Photos & slides
- Standard print scans (1200 DPI)
- Preservation print scans (2400 DPI)
- Photo album scanning
- 35mm slides & negatives
- Large format prints up to 11×14
Film we scan.
Every common home-movie and professional film gauge. All scanned frame-by-frame on sprocketless transport — safe for damaged, shrunken, and brittle film that other services reject or damage.
The predecessor to Super 8. Narrower image area, larger sprocket holes, smaller frame. Distinguishable by the smaller picture and larger sprockets. Common in family collections from the 1940s through the 1960s.
The bridge between home and professional use. Common for documentary, educational, news, and industrial film. Sound-on-film variants supported (both optical and magnetic). Reels up to 1,200 ft handled as single units.
Professional cinema gauge. We scan 35mm safety (acetate and polyester base) for archives, estates, and professional projects. Archival tier produces 4K DPX masters suitable for theatrical restoration. Nitrate-base 35mm not accepted — see below.
Damaged film welcome. Vinegar syndrome, shrinkage, brittle splices, warping, and color fade are all things we handle every week. Sprocketless transport means we don’t rely on sprocket holes to move film through the scanner — which is what damages fragile film in projector-based services. See the restoration page for the full damage-condition guide.
Tape formats we digitize.
Consumer and semi-professional tape formats from the VHS era through Digital8. Broadcast and professional formats supported on inquiry. HD capture, basic color correction, and original tape returned.
The standard consumer video tape from 1976 through the 2000s. Includes full-size VHS, compact VHS-C (camcorder tapes, played in adapters), and higher-resolution S-VHS. All three handled with the same workflow.
The consumer camcorder formats from Sony, introduced 1985 — 1999. Small cassettes, handheld camcorders. Digital8 uses the same cassette but records digitally — significantly cleaner transfer. All three supported.
The late-consumer digital tape format. Small cassettes, native digital recording. Cleanest to transfer — our DV decks capture the bitstream directly with no generation loss. Often the best-preserved format we receive.
Specialist consumer (Betamax) and professional/broadcast (U-matic) formats. Requires dedicated decks that are increasingly scarce. We maintain working machines for both. Transfer quality often exceeds VHS due to higher source resolution.
European and international video standards. We convert correctly to NTSC without the field-interpolation artifacts common in consumer conversions. Handled at the specialty rate above.
Sticky shed & tape repair. Tapes showing sticky-shed symptoms (binder breakdown — squealing or shed residue), severe mold, or broken shells are quoted after intake inspection rather than via fixed surcharge. Each case varies; you receive a written assessment with specific pricing before any treatment begins.
Photo services we offer.
Professional flatbed scanning exclusively — never feed scanners, never automated shoebox services. Every image individually handled, dust-removed, and color-corrected.
The everyday photo scan. 1200 DPI flatbed, compressed-air dust removal, automated color correction, organized digital files, JPEG (sRGB) delivery. Good for digitizing a collection you want to view, share, and back up.
For photos you want scanned once and never again. 2400 DPI, manual per-image color correction, manual dust and scratch repair, TIFF + JPEG with embedded EXIF metadata. The right choice for irreplaceable family photos.
Albums stay intact. We carefully remove and replace photos one at a time, or page-flat scan when photos are bonded to pages. Priced at the per-photo Standard or Preservation rate; album assessment included.
Dedicated film holder workflow at 2000 — 4000 DPI. Color correction applied, including recovery on faded Ektachrome (Kodachrome typically holds color well). Organized by slide tray order when tray order is meaningful.
Strip scanning at 2400 — 4000 DPI with color-managed inversion. Often produces higher quality than scanning the resulting print, because negatives preserve more dynamic range than paper prints do. Preservation tier recommended.
Large-format flatbed scanning for oversize prints, framed photos (removed from frames), posters, and certificates. Each project is quoted individually based on size, count, and condition.
Film, VHS, and photos ship as one order — one shipment, one Vault.
If you have a drawer with Super 8 reels, a box of VHS tapes, and a stack of photos, you don’t need three separate orders. Everything ships together, gets processed by the same hands, and comes back in one return package. Each service line has its own handling fee — the workflows really are separate — but you save on shipping, vault subscription, and project management overhead.
What we don’t handle.
Some formats require specialized facilities, licensing, or equipment we don't have. Rather than take on work we can't do well, we refer to the right people. If you have something on this list, here's where to send it.
Formats we refer elsewhere
- Nitrate 35mmPre-1952 35mm cinema film without “SAFETY” edge print. Nitrate requires hazmat handling and specialized facilities. We refer to Library of Congress Packard Campus, George Eastman Museum, UCLA Film & Television Archive, Colorlab (MD), and Cinelab (MA). See our 35mm page for the full referral list.
- 9.5mm Pathé BabyA rare European home format (1922 — 1960) with a center-perf sprocket design. Requires specialized equipment we don’t maintain. Cinelab, Colorlab, or specialty European vendors can handle these.
- 17.5mm & 28mm filmExtremely rare historical home-movie gauges. Our sprocketless transport is calibrated for the standard gauges listed above. If you have these, you likely know you need a specialist; contact us and we’ll make a referral.
- 65mm / 70mm cinema filmLarge-format cinema film (IMAX, VistaVision, 70mm blow-ups). Our scanner supports up to 35mm. Specialty facilities: Cineric (NY), Colorlab (MD), and FotoKem (CA) handle these.
- Commercial broadcast tapeBetacam SP/Digital, DVCPRO, D-series, 1″ & 2″ professional broadcast formats. These require dedicated broadcast decks and engineering support outside our scope. We handle U-matic as the broadcast/professional crossover; anything above that we refer.
- Film with active wet moldDry mold growth we handle in our restoration workflow; active wet-mold contamination is a biohazard requiring specialized cleaning before any scanning facility should touch it. We’ll refer to film conservators who handle active mold treatment.
- Audio-only formatsAudio cassette, reel-to-reel audio tape, 8-track, vinyl records. Audio-only formats need audio-specialist labs. Specialty audio archives or local restoration services handle these.
Unsure what you have? Send a clear photo of your reel, tape, or container through our inquiry form. We’ll tell you the format, whether we handle it, and what the ballpark cost looks like — usually within one business day. Free, no commitment. Send an inquiry.
Three good paths.
Depending on where you are in thinking about your collection, one of these is probably the right next step.
Browse the FAQ
The FAQ has a full "Your film" section covering format identification, vinegar-syndrome diagnosis, mold, mystery reels, and what to do with inherited collections.
Go02 · You know what you have · want pricingGo to the full pricing page
Every per-foot and per-tape rate, all add-ons, sample order totals for real-world scenarios including mixed-media orders. Nothing hidden.
Go03 · You want a quote for your specific collectionBuild an estimate in the wizard
Add film, VHS, and photos in one session. Live total. Mixed-format orders handled correctly with shared shipping and proper minimums per service line.
GoOne lab. One standard. Every format.
Whether you have six Super 8 reels in a shoebox or a full estate with five media types, we handle it end-to-end. Same hands, same quality commitment, same transparent pricing from quote through delivery.